Trying Out RaffleCopter
So RaffleCopter lets you do give aways from your blog with a pretty easy interface.
And right now they are doing a giveaway, so I am trying out their widget thing.
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This Year’s Winning Geek Gift
Last night I was writing about Hawk & Dove. At some point in issue #3 or #4 I was commenting on the action.
I like thought provoking stories and deep character development as much as the next girl. I like to read and watch character’s interpersonal relationships develop. I like intrigue and mystery. And sometimes I just want to watch things explode. I want to read a good fight. I want to see my favorite characters whoop up on some bad guys.
When I play D& D (Pathfinder or BASH) I like to be in situations that make me think. I like to talk with NPCs, I like to learn, explore and Role Play. I also like to beat the holy living tar out of monsters. If I’m having a bad day, I REALLY like to beat up on monsters.
Which brings me to the point of this post. The following picture is of my Yule present from Deep One. Part of my job includes making geek jewelry and teaching others to make it as well. This winter we had two recycled art pendant workshops and Deep One showed up to learn how to take comics and make them into pendants.
Then he went and made me this little piece of awesome.
Here we see one of my favorite characters (pre and post relaunch) Black Canary along with my super favorite new character (or at least Starling is new from what I can tell) quickly exiting the airport. Starling has already driven a car through a church at this point, which leads to Black Canary’s question.
I adore, super, mega, ultra adore Starling’s response.
Sue Me. I like breaking stuff.
I cannot think of any gift I could have possibly gotten this year that would have topped this one. I’m not kidding. I have my very own, one of a kind, hand made just for me Black Canary & Starling pendant. I refer to it as my “Break Stuff” pendant.
DC’s New Hawk & Dove – Issues 1-2 Reviewed – Part One
*Preface: If you follow me on Twitter you know that as I was starting the review of issue #5 my computer freaked out and ate almost all of tonight’s progress (about 1300 words and 2 whole issues. I am not a happy camper. It was my intent to publish this as one article but it will probably be a couple days before I want to even attempt to try and recreate what I wrote (some of it was inspired…). So you get issues #1 & #2 tonight. Sometime in the next week you will get #3, #4 & #5. If I don’t huck my laptop out a second story window.
And before you ask, yes I saved. About every 2 paragraphs because I’m paranoid. That’s why I’m so upset. Now, time for a post and more Ice Cream. Grrrrrr…*
My only knowledge of Hawk and Dove comes from their amazing run with the Birds of Prey, so as far as history goes, I’ve got nothing. How much is being changed in the DCnU? No idea. And the best part is that with the story we’re getting, I don’t care.
The creative team of Sterling Gates and Rob Liefeld is great. I honestly didn’t expect this to be one of my must reads each month, and there were a couple points where it almost lost me. But after reading issue #5, I am even more of a fan.
Let me start off by saying how much crap I got about being excited about this title. Apparently some people don’t like Rob Liefeld’s art enough that buying a title he’s illustrating is reason for mockery. That maybe that’s why I gave this title as many chances as I did, because I wanted to prove people wrong about it being worth the money, and that damnit I could like something even if they didn’t (and maybe in spite of them). He isn’t my favorite artist in the new 52, heck my favorite artist’s in the New 52 aren’t even my favorite artists in comics right now; but he doesn’t suck.
One of the things I’m liking about this review project is that I am going back and re-reading all of the previous issues. It gives me a reason to take a second look and I can scrutinize things a bit more. So I scrutinized the art in Hawk & Dove #1. Just reading Hawk & Dove, the art is good. It has a dynamic look to it, it has power, it has expression. Scrutinizing the art in Hawk & Dove #1 is different. If you look really close and take each panel in slowly, the art becomes distracting. So I stopped. The man can draw action, the man makes it look like everything is really detailed, but the man’s art should not be studied the way you study a Rembrandt.
Here’s the rundown. SPOILERS!
BASH Night – In Character Rundown
This plan is insane.
A couple days ago, Scarecrow used a metahuman homeless chick with super hot fire powers to distribute an alchemical fear toxin into Gotham’s atmosphere that will be activated when it rains.
We’re pretty well hosed.
Now the kid with uncontrollable fire powers is hanging out with us and we have to figure out how to fight clouds.
So the insane plan, that would be me building an aspestos and corrugated steel bullseye lantern, that will fit a flaming teenager. If this works we’ll direct her heat at the clouds and vaporize the fear toxins.
Here’s the thing, we have to be up pretty high to get it to maybe work.
We can’t hijack a police blimp, or a giant parade balloon of Batman (we considered it), and none of us know how to fly a helocopter.
That leaves us with using the roof of the 2nd tallest building in Gotham.
Sure the top half of the floors house offices of LexCor, Wayne Industries, and Q-Cor, but we’ll be fine, right.
And then there are the super cops in power armor.
So we manage to get in the building, disable the alarms, get to the roof. By now the other alarms are going off, and we help by disabling the elevators. Now the fun part.
I head to the crane (we picked a building that was undergoing some construction so we could use the crane) and drop it down to where Rock Slide is hiding underground with the lantern. As he’s coming up the security helicopter shows up and starts shooting at me. Luckily Harrier has me covered with his bolos. He deftly tosses one into the jet air intake causing lots of property damage as it crashes into the building.
That’s about when the super cops show up. Without learning they try to taze Paladin. He of course engages them in hand to hand.
The crane finally gets to the roof and we can get our heat source installed.
Watching Harrier bolo a super cop is pretty amusing.
We get the girl installed and the lantern aimed. Now we come to the hard part. See the girl has never been able to control her powers. She can’t turn them on when she wants and can’t turn them off once they are going. And she’s kinda the lynchpin of this plan.
I’m standing here hoping I dont have to punch Paladin’s sidekick in the face… again.
Harrier, Paladin & Rock Slide are keeping the super cops pretty well occupied on the other side of the roof. They just need to stay concious long enough for me to make this insane plan work.
Success!
At least for this stage, we’ve got fire. We can do this.
Over in the fray Harrier is about to get pushed off the roof. He manages to take the upper hand, at least for the moment. Rock Slide tries a similar tactic and tries to toss a super cop off the roof. We might take issue but the super cops have glider tech, so it’s not so bad.
Then shit goes bad.
There is a blur of red and gold as the Flash hits Paladin. Superman calls for a halt. Wonder Woman lassos me and asks what we are doing.
Luckily the truth isn’t a bad thing here.
I get her the quick version along with a plea to get Superman to take care of the clouds.
The cops stop fighting, as do we. Green Lantern incases fire girl in green, which I’m sure does not help her calm.
As I get a chance I try again to explain our situation, explaining that we didn’t know how to get a hold of them, and really it’s our best shot, lets face it I’m a girl in Volkswagen power armor.
Paladin demands his $5 from Harrier, who laments that he thought it was a Pinto…
Next week: The ragtag heroes get to deal with the Justice League. And super cops in power armor who are required to treat all “heroes” as villains.
*Side note: I’d really like to put this together in comic script format with some of the quotes I jotted down because I think it would be pretty cool. I’d also like to go back and re-write it. But since this was written as things were happening around the game table, it’s not too terrible.*
DC’s New Wonder Woman – Issues 1-4 Reviewed
I love Wonder Woman.
Last year when I decided to get back into comics, it was Wonder Woman who got me to make that choice. The Wonder Woman 600 storyline by J. Michael Sraczynski was a brilliant way to let new readers in without to much muss or fuss. The art by Don Krmer, Michael Babinski & Alex Sinclair is amazing. Looking back at the reviews, apparently people did’t like the new outfit. I personally loved it. Look! Wonder Woman is wearing Pants!!!
And then as all things I love do, it ended.
I spent the last few issues of the run mourning it’s passing.
The only thing that kept me with a good outlook for the DCnU relaunch was all signs pointed to Wonder Woman continuing to wear pants. *Sorry, but I really dislike the star spangled granny panties.*
SPOILERS!
……..More
Wonder Woman issue #1 (previous write up can be found here):
It starts off with Apollo being wierd, slightly lecherous, and quite a bit creepy with three ‘bimbos’ on a balcony. Then you get to expierience someone in a peacock cloak behead a couple horses. Ok, this run is starting off quite dark. Then comes the very creepy people crawling out of where the horse heads used to be. I thought I was reading Wonder Woman, not Call of Cthulhu. Enter Hermes in his WWI helmet and Zola. She wants to shoot him for breaking into her house, he wants her to flee so she isn’t killed. Zola has spunk, I like her. Enter the newly formed Centaurs. Hermes gets shot and Zola is transported ino someone’s bedroom.
Based off the cover art I was not looking forward to the art of this book. After 4 issues, it has grown on me. But I’m still not in love with it. The story up until this point was very fragmented and a bit hard to care about. But then…
The “camera” pans around to the bed and anyone who has ever seen a representation of Wonder Woman knows whos sleeping in it. Silly Zola reaches for her and gets picked up by her neck for it. Zola, is a smart one. She knows this is Wonder Woman right off the bat. And as per preious continuity, Wonder Woman is bad at the whole secret identity thing. She intorduces herself as Diana, as she’s getting dressed.
Woo Hoo Pants…
Or not. Stupid star spangled panties. Other than that, here’s my impression of the new Woder Woman look. She isn’t overly busty, which for the upper body strength she is shown to have makes anatomical sense. Her waist isn’t barbie small. Plus she stands the way someone with her build and strength/muscles should. The accessories look good and make sense. I still think her arms could use a bit more muscle.
Zola and Diana are transported back to Zola’s place (Zola was supposed to stay behind, but you quickly get the impression she is a bit of a self sufficient rebel). Turns out the bracers repel arrows as well as bullets. Centaurs attack! Wonder Woman headbutts one, which is awesome. Creepy voice over starts. Centaurs are vanquished, and Hermes gets a giant arrow removed from his gut. He explains Zola is carrying Zeus’ kid, thus the wanting her dead thing. And back to creepy Apollo and his bimbos, who are now levitating and finishing the creepy dialogue. As the sun rises the three oracles are burned to death by the sun/Apollo.
This issue features Zola in a camisole, plaid shirt and pink undies with a shotgun several times. I love it. And she’s smart. When Hermes tells them it’s Zeus’ kid, she knows that’s bad.
Wonder Woman issue #2:
In issue #2 the 1st thing you learn is who wore the peacock cape in #1. Who else but Hera.
This is a woman who is vilified because she gets upset that her husband can’t keep it in his pants. Ok, killing people (that aren’t Zeus) may be a bit much. You meet her and her daughter. They seem completely self absorbed, petty and cruel; even to each other.
When asked where Zola is you are transported from Mount Olympus to Paradise Island. Here wonder Woman is carrying Hermes and insulting Zola’s home. And then you get creepy, angry voice over. Turns out the rest of the Amazons are not happy about a man on their island. Then you meet the queen.
No wonder Diana has such broad shoulders, you should see her mom’s. That is one beefy woman. I love it. This is a race of warrior women. They shouldn’t be all skinny and lanky.
You get a little scene of the Queen Mum and Diana chatting about her situation and who she should side with (hera or Zeus) and Diana siding with the girl caught in the middle. Next up is Zola chatting with Hermes.
Can I ask you something? When Zeus consorts with a woman other than his wife, he chooses a form that will inspire an uncontrollable lust in them. Do you remember what Zeus came to you as? -Hermes
A truck driver. Or a pool hustler. He coulda been in a band… I hope he was that guy… -Zola
Apparently, Zeus didn’t have to change his form too exotically to curry your favor. -Hermes
I like men, Hermes. And I’m not gonna apologize for that. -Zola
I love this bit. I love that Zola is completely unashamed of liking men and having sex. She is clearly comfortable in herself (or she probably would have found pants by now).
Hermes then tells her that’s fine, but she should keep that to herself on this island. Then you get Wonder Woman’s origin (read: birth) story. Built from clay and brought to life by the gods, the perfect Amazon. Cut to Diana being challenged to a spar with Aleka. Cue cool Amazon fight sequence, followed by rain, followed by an explosion. At this point the Amazons run off the defend their island. You see several get stabbed, and see Hera’s daughter wandering around. Wonder Woman realizes it’s a trick when Aleka tried to killer her. And we find out the daughter’s name. Strife.
Yup. Makes perfect sense.
Out comes the lasso of truth and Strife says she is here to ‘embrace her little sister’. The prompts a ‘you think the mortal carries a girl’ from Wonder Woman. Strife says she has no idea what the mortal carries, but what she means is “No, Wonder Woman, I speak of you.”
That’s of course the end of issue #2. This is the point where I went, ‘OMG must read more’. Of course Strife is named that for a reason, so maybe she’s just messing with Diana, but either way the next issue is going to be interesting. A couple pages in this issue had really great art, and a couple really seemed like the artist was phoning it in.
Wonder Woman issue #3:
Issue #3 begins with funeral pyres for all the dead Amazons. Then we travel backwards to building the pyres and Aleka saying this is all Clay’s fault for bringing the musk.
Translation: Diana’s fault for bringing a dude (god or not) to the island.
Strife uses this information to pick at Diana, when confronted by Hermes she adds fuel to the fire by saying her mother’s anger is like a child playing. This causes all in volved (Hermes, Diana, Zola) to get really upset. Things begin to escalate until the queen shows up with a contingent of Amazons. This is where we find that whatever it is that Strife knows is because Zeus told her while drunk.
Strife is well written and her facial expressions are great. You really want to punch her in the face. And really we’re trusting what a drunk god says now?
Now the queen comes clean. She recounts the story of her and Zeus, dancing, battling, making love. We pop back over to the rest of the amazons building the pyre again, and complaining of Diana’s split loyalty. It’s clear that many of them don’t much care for the perfect Amazon. And back to God on Amazon lovin’. And back top prayers before the pyres are lit and a bit of treasonous speech by Aleka.
This is six pages and it jumps between four locations/times. I had to read it twice because I kept feeling like I was missing something. Also who knew Zeus wore dreads. Aleka seems to be upset that Diana is back from he mortal realm and because of it brought death and such to the island. Brian Azarello seems to be taking much of our previous knowledge of Wonder Woman and saying, ‘nope, not that way now’. I really like that. I’m glad that I’m not reading the same story that’s been told 87-zillion times.
Now is where Diana finds out that she wasn’t made of clay, that she’s Zeus’ daughter and that her mother has been lying to her to keep her hidden from Hera. Diana is heartbroken and angry, she tells her mother that she now feels like a fool. Then she takes off running through the forest, knocking over trees in her path. She makes it to the beach and the pyres where Aleka calls out “There she is, sisters… The one that brought shame to our island”.
And she doesn’t even know about the whole birth thing.
Wonder Woman punches her in the face.
It’s awesome. With that much new information, hurt, anger, pain, frustration, and fear running through your system; punching out the bully is the first instinct a trained warrior should have. Sort of a “This is not the time, bitch.”
Wonder Woman finishes lighting the fires, explains that she is leaving and not coming back. One of the amazons calls to her ‘Diana’; and She tells her never to use that name again, or clay; because she is Wonder Woman.
This issue was a little ADD in the middle but it tells a very compelling story. One about strength, protecting your family and that you should never name your child Strife because she will grow up to be a total bitch.
Wonder Woman issue #4:
Issue #4 starts in Darfur with Apollo and his brother War (Ares by assumption). They are creepy. Then we switch to a metal/punk club in London.
Woo Hoo! Pants! Sure she isn’t in the full outfit, but it’s a step in the right direction. The leather vest is a nice addition to the angry punk look. Hermes in hiphop/gangbanger clothing is hysterical. Zola still has the camisole and plaid shirt on, but she has also found pants. Pants for everyone!
Strife is also still around and tried to get Diana to drink with her. She gives a little speech about family, it is fitting based on the screwed up family she comes from. Then we switch to Paradise Island and Hera showing up. The queen tells her guards not to follow because she should face Hera alone, with her giant battle axe. Then we’re back to the club and Strife complaining that Diana doesn’t like her, Hermes is reasonable at her and then Strife threatens to take the child (‘perhaps we should extract it’) from Zola. At this point Diana walks up, grabs her and puts a broken champagne flute through her hand.
Again I love this. I love Wonder Woman swooping in and being all Wonder Woman-y at problems.
Back on paradise Island the Queen is trying to reason with a very angry Hera.You see Hera angry and then hurting, a scorned wife and vulnerable woman. Then the warriors show up. As the wind picks up it’s a good thing Hera is holding the queen’s giant axe, because it conveniently covers up all of her naked bits.
Apparently she only wears the peacock cloak when she goes out for justice.
The queen begs forgiveness, the Amazon’s are poised to shoot the Goddess if she kills the queen. Hera raises the axe to strike. And stops.
I seriously thought this is where this issue was going to end. And I think this is where many writers would have stopped, but not Azzarello.
Back in London at wonder Woman’s place we see Zola coming in to talk. We get some back story on Zola’s family (dad in prison, dead mom). And we get Wonder Woman lamenting the loss of her family and home.
And then she’s back in the damned star spangled panties.
She trades her sword and shield for Hermes magic travel staff and ends up back on Paradise Island, which is very wet. You see some clothes floating sans people in the water. Then you hear hissing. Lots and lots of hissing. As we come to the area where Hera and the Queen had there little chat you see hundreds of snakes. Wonder Woman apologizes profusely to her mother, finally hugging her, or the statue that was her; surrounded by the snakes formerly known as Amazons.
This two page spread made me tear up, seriously. I think most of us have had those fights with our moms where we say things we should never say. We’re lucky, when we go back to apologize later mom hasn’t been turned to stone by an angry Greek Goddess.
We finish the issue off where we started, with Apollo and War in Darfur. They discuss Zeus being missing, that apparently he doesn’t currently exist.
I have some theory’s as to where this part of the story is going (Zola is carrying a reborn Zeus), but really it’s just a theory. Brian Azzarello is crafting a multifaceted story here and I don’t want to miss an issue. Like I said, the art is growing on me, and the compositions are great, but I wouldn’t cry if there was an artist change up down the road.
So that’s my review of issues #1-4 of the DCnU Wonder Woman.
Favorite things:
- Wonder Woman’s attitude
- page composition
- horror themes
- story depth
- character depth
Gripes:
- the art
- I have to wait a month between issues
- star spangled panties








